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Heinrich Kühn - Heinrich Kuhn 1866- 1 944 prominent German photographer one of the founders piktoralizma in photography. Heinrich Kühn is also the creator of style fotoimpressionizm.

Charlie Easton paintings

Heinrich Kühn is a major figure in the world of photography, left behind a vast photographic heritage, including in the form of autochromes, 214 copies of which (of 260 extant) are stored in the collections of the Austrian National Library in Vienna. An important figure of pictorial photography of the early twentieth century, Heinrich Kühn specialized mainly on portraits and landscapes. Critics see it as one of the most important practitioners in the field of art photography in Europe. Heinrich Kühn was one of those early photographers who at the turn of the century tried to adopt photography as an art form. Like all artists of his time, he was more interested in how to express their emotions and images of feeling than to achieve an accurate and detailed picture. In addition to the artistic component in the life of Heinrich Kühn occupied a considerable part of scientific research devoted to photographic technology. He experimented with color photography and left lovely autochromes, which depict members of his family, and still lifes - they look like paintings of the Impressionists. Heinrich Kühn was born in Dresden. Grandson of the sculptor, he studied painting and music, and after a brief military service - medicine and natural science, then turned to the micrograph. In 1890, he finally left medicine and devoted himself entirely to photography. In 1896 he joined the Vienna photoclub Vienna Camera Club, began to exhibit and publish in photo magazines articles on technical issues. In 1914, Kuhn founded a photography school, but it lasted only one year. Extensive scientific research to yield good results, and in 1934 the photographer even received a patent for a film with increased sensitivity. Heinrich Kühn spoke with the most famous photographers of his time, such as: Frank Eugene (Frank Eugene), Steyhen Edward (Edward Steichen) and Alfred Stieglitz (Alfred Stieglitz). In 1908, Kuhn work have been published in journals Camera Work and The Studio.

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